蒋蓉树桩紫砂壶

【藏品名称】：蒋蓉树桩紫砂壶

[collection name]: Jiang Rong stump purple clay pot

【藏品规格】：高11厘米，底11厘米

[collection Specification]: 11cm high and 11cm bottom

【藏品简介】：说到紫砂作品和对紫砂文化的传承，瞬间就能想到这几个技艺高超额度大师，他们对紫砂的发展起到了至关重要的作用，他们就是1956年江苏省人民政府任命的紫砂“技术辅导”。也是我们现在常说起的“紫砂七老。今天我们来欣赏紫砂七老之一，女性紫砂手艺人，紫砂界的巾帼代表蒋蓉大师的作品。

[collection introduction]: when it comes to purple sand works and the inheritance of purple sand culture, you can think of these highly skilled masters who have played a vital role in the development of purple sand. They are the "technical guidance" of purple sand appointed by the people's Government of Jiangsu Province in 1956. It is also the "seven old purple sands" we often talk about now. Today, let's enjoy the works of master Jiang Rong, one of the seven elders of purple sand, a female craftsman of purple sand and a female representative of purple sand industry.

蒋蓉（1919- 2008），别号林凤，江苏省宜兴市川埠潜洛人。1995年被授予“中国工艺美术大师”称号。 蒋蓉作品曾在全国工业会议上评为“特等奖”，并为周恩来总理出访东南亚等国家制作礼品。 1956年，江苏省人民政府任命她为紫砂工艺“技术辅导”，这在当时历史情况下是工艺界的一种最高荣誉和待遇。 蒋蓉的作品在中国紫砂工艺史上技术精湛，生动具真，别树一格，成为中国紫砂工艺史上第一位女工艺美术大师，曾任中国美术学会会员，中国工艺设计协会委员，江苏省工艺美术协会名誉理事。

Jiang Rong (1919-2008), nicknamed Lin Feng, was born in qianluo, Chuanbu, Yixing City, Jiangsu Province. In 1995, he was awarded the title of "master of Chinese arts and crafts". Jiang Rong's works were awarded the "special prize" at the national industrial conference and made gifts for Premier Zhou Enlai's visits to Southeast Asia and other countries. In 1956, the people's Government of Jiangsu Province appointed her as the "technical guidance" of purple sand craft, which was the highest honor and treatment in the craft industry under the historical circumstances at that time. Jiang Rong's works are exquisite, vivid and true in the history of Chinese purple sand technology. She has become the first female arts and Crafts Master in the history of Chinese purple sand technology. She once served as a member of China Art Society, a member of China Arts and crafts design association and an honorary director of Jiangsu Arts and Crafts Association.

在文学艺术创作中，树是十分受人喜爱的题材。紫砂壶中的树桩壶式，营造出深远的文化底蕴。此件蒋蓉大师制作的树桩紫砂壶。此壶风格追求一般悠然自得的生活情趣。壶身纹理形态自然生动，颜色生机盎然，整体造型尽显国色天香 蒋蓉大师擅长将动物、植物、花果等天然形体，经过艺术提炼之后，运用于紫砂创作中，使紫砂壶的艺术美感与天然生趣融为一体。蒋蓉款紫砂壶作品观赏性极强，其构思之奇特、配色之巧妙、施艺之精细、形象之逼真，搭配着紫砂壶生动的表面纹理，给人耳目一新之感，十分让人赏心悦目。

In literary and artistic creation, trees are very popular subjects. The tree stump pot style in the purple sand pot creates a far-reaching cultural heritage. This purple clay pot with tree stumps made by master Jiang Rong is a plum stump, and the pot body is decorated with annual rings and plum blossoms. This pot style pursues the general leisurely life interest. The texture of the pot body is natural and vivid, the plum blossom color is full of vitality, and the overall shape is full of national color and natural fragrance. Master Jiang Rong is good at applying natural shapes such as animals, plants, flowers and fruits to purple clay creation after artistic refinement, so as to integrate the artistic beauty of purple clay pot with natural interest. Jiang Rong's purple clay pot works are highly ornamental. Its unique conception, ingenious color matching, fine art and realistic image, combined with the vivid surface texture of the purple clay pot, give people a refreshing feeling and are very pleasing to the eye.

因此，蒋蓉紫砂艺术凭借其风格形象生动、色彩艳丽，充满浓郁的生活趣味，在紫砂艺术家比较罕见。 大师受人敬仰的不仅是艺术上的成就，也在于她淡定平和、不追名逐利的心态，更在于她宽厚仁慈的胸怀。作为一个紫砂艺人，做壶是做艺，做艺也是做人，需要全身心的投入，要认真做人，认真做艺。在当今艺术界因门第之见或名利之争乃至各团体之间的利益之争而出现的相互难以协调甚至相互诋 毁的现象时有耳闻，蒋蓉大师用她高尚的艺德告诉紫砂后人们“大师”的真正意义。

Therefore, Jiang Rong's purple sand art is rare among purple sand artists because of its vivid style, gorgeous colors and strong interest in life. The master is respected not only for her artistic achievements, but also for her calm and peaceful attitude of not pursuing fame and wealth, but also for her generous and kind mind. As a purple clay artist, pot making is art, and art is also a man. You need to devote yourself to being a man and art seriously. In today's art world, it is difficult to coordinate and even slander each other due to the family view, the struggle for fame and wealth, and even the interest struggle between various groups. I have heard that master Jiang Rong uses her noble artistic ethics to tell the real meaning of "master" after Zisha.

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